|
S'onques nus hom por dure departie |
|
Anne Levitsky |
|
|
|
|
Pos de chantar m'es pres talentz |
|
Mount Holyoke College |
|
|
|
|
Oies, Seigneur, pereceus par oiseuse |
|
Anne Levitsky |
|
|
|
|
Radix iesse castitatis lilium |
|
Mount Holyoke College |
|
|
|
|
Li Nouviauz Tanz et mais et Violete |
|
Anne Levitsky |
|
|
|
|
Chevalier mult estes guariz |
|
Anne Levitsky |
|
|
|
|
Aler m'estuet |
|
Anne Levitsky |
|
|
|
|
Pus Sabers (recited) |
|
Mt Holyoke |
|
|
|
|
Seigneurs, saichies, qi or ne s'en ira |
|
Anne Levitsky |
|
|
|
|
Dirai vos senes duptansa |
|
Mount Holyoke College |
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|
|
|
Parti de mal |
|
Anne Levitsky |
|
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|
|
Lilium floruit |
|
Mount Holyoke College |
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|
|
|
Li departirs de la douce contree |
|
Anne Levitsky |
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|
Dame, einsi est qu'il m'en convient aler |
|
Anne Levitsky |
|
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|
Baron de mon dam convid |
|
TAE |
|
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|
Au tans plain de felonie |
|
Anne Levitsky |
|
|
|
|
O Maria Deu maire (stanza 1) |
|
Mt Holyoke |
|
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|
|
A vous, amant, plus q'ua nule autre gent |
|
Anne Levitsky |
|
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|
Pax in nomine Domini |
|
Anne Levitsky |
|
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|
|
O Maria Deu maire |
|
Mount Holyoke College |
|
|
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Maugre tous sainz |
|
Anne Levitsky |
|
|
|
|
El Rey de Francia |
|
Alessandra Serrano |
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Jerusalem se plaint et li pais |
|
Anne Levitsky |
|
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Bien me deusse |
|
Anne Levitsky |
|
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|
Non es Meravelha S'ieu Chant |
|
TAE |
|
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|
Trop est mes maris jalos |
|
Mount Holyoke College |
|
|
|
|
Ahi! Amours, con dure departie |
|
Anne Levitsky |
|
|
|
|
Pos de Chantar |
|
Anne Levitsky |
|
|
|
|
In hoc anni circulo |
|
Mount Holyoke College |
|
|
|
|
Nus ne porroit de mauvese reson |
|
Anne Levitsky |
|
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|
Li Douz Penser et li douz souvenir |
|
Anne Levitsky |
|
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Chanterai por mon corage |
|
Anne Levitsky |
|
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|
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Estampie Roine Blance |
Anon |
Heliotrope |
|
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Marian Antiphon: Gaude Virgo Maria quam dignam |
Anon |
Willam Byrd,Graham O'Reilly |
|
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A l'entrada del temps clar |
Anon |
Thomas E. Binkley |
|
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|
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Respond: Audivi vocem de caelo |
Anon |
Willam Byrd,Graham O'Reilly |
|
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|
Marian antiphon: Gaude gloriosa Dei mater |
Anon |
Willam Byrd,Graham O'Reilly |
|
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|
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Veris ad imperia |
Anon |
Thomas E. Binkley |
|
|
|
|
Respond: Locquebontur variis linguis |
Anon |
Willam Byrd,Graham O'Reilly |
|
|
|
|
Chanconetta Tedescha II |
Anon |
Studio Der Frühen Musik |
|
|
|
|
Three Songs From Guillaume de Dole (Siet soit bele Aye,La bele Doe siet au vent,Quant revient la sesons) |
Anon |
Heliotrope |
|
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|
|
Saltarello |
Anon |
Thomas E. Binkley |
|
|
|
|
Marian antiphon: Gaude Virgo Maria,Christi benedicta Mater |
Anon |
Willam Byrd,Graham O'Reilly |
|
|
|
|
Lasse,pour quoi refusai |
Anon |
Thomas E. Binkley |
|
|
|
|
Li joliz temps d'estey |
Anon |
Studio Der Frühen Musik |
|
|
|
|
Estampie Bele li gossi |
Anon |
Heliotrope |
|
|
|
|
Marian antiphon: Gaude virgo Maria,quae corpore |
Anon |
Willam Byrd,Graham O'Reilly |
|
|
|
|
Chanconetta Tedescha I |
Anon |
Studio Der Frühen Musik |
|
|
|
|
Motet: Suscipe quaeso Domine |
Anon |
Willam Byrd,Graham O'Reilly |
|
|
|
|
Jherusalem,grant damage me fais |
Anon chanson de femme |
Heliotrope |
|
crusade |
|
|
Bele Doette as fenestre se siete |
Anon chanson de toile |
Heliotrope |
|
|
|
|
Bele Yolanz en ses chambres seoit |
Anon chanson de toile |
Heliotrope |
|
|
|
|
Ab La Fresca Clardat |
Berenguer de Palou |
TAE |
|
|
|
|
Non es Meravelha |
Bernard de Ventadorn |
Alessandra Serrano |
|
|
|
|
Can Vei La Lauzeta Mover |
Bernart de Ventadorn |
Mt Holyoke |
canso |
trobar leu |
|
|
Quan vei la lauzeta |
Bernart de Ventadorn |
Anne Levitsky |
canso |
domna, senhal, each verse different, female vocalist, free rhythm, narrative, same melody each time, single vocalist, sung, coblas unissonans, cortesia, fin'amor |
|
|
Be man purdut |
Bernart de Ventadorn |
Anne Levitsky |
canso |
domna, senhal, each verse linked by one theme, female vocalist, free rhythm, narrative, same melody each time, single vocalist, sung, coblas unissonans, captive, cortesia, fin'amor |
|
|
Quan Vei La Lauzeta |
Bernart de Ventadorn |
TAE |
canso |
domna, senhal, coblas unissonans, cortesia, fin'amor |
|
|
Can Vei La Lauzeta Mover |
Bernart de Ventadorn |
Thomas E. Binkley |
|
|
|
|
Can Vei La Lauzeta |
Bernart De Ventadorn |
Hillier |
canso |
domna, senhal, each verse different, free rhythm, hurdy-gurdy, lute, male vocalist, narrative, single vocalist, small changes to the melody, sung, vielle, coblas unissonans, cortesia, fin'amor, idealized, love |
|
|
Ben m'an perdut lai envers |
Bernart de Ventadorn |
Hillier |
|
|
|
|
Be M'an Purdut |
Bernart De Ventadorn |
Hillier |
canso |
domna, senhal, each verse linked by one theme, free rhythm, harp, lute, male vocalist, narrative, single vocalist, small changes to the melody, sung, vielle, coblas unissonans, captive, cortesia, fin'amor, love |
|
|
Quan vei la lauzeta |
Bernart de Ventadorn |
TAE |
canso |
domna, senhal, narrative, coblas unissonans, cortesia, fin'amor |
|
|
Ben m'an perdut lai envers |
Bernart de Ventadorn |
TAE |
canso |
|
|
|
A Chantar M'er |
Comtessa de Dia |
Mount Holyoke College |
canso |
domna, senhal, each verse different, female vocalist, free rhythm, narrative, same melody each time, single vocalist, sung, coblas singulars, amor de lonh, betrayal, contract, cortesia, fin'amor, love |
|
|
Estat ai en greu cossirier |
Comtessa de Dia |
Heliotrope |
|
|
|
|
A Chantar M'er |
Comtessa de Dia |
Alessandra Serrano |
canso |
|
|
|
A Chantar |
Comtessa de Dia |
TAE |
canso |
domna, senhal, dulcimer, each verse different, female vocalist, free rhythm, hang, hurdy-gurdy, lute, narrative, recorders, same melody each time, single vocalist, sung, coblas singulars, betrayal, contract, cortesia, fin'amor, love |
|
|
A Chantar M'er |
Comtessa de Dia |
Thomas E. Binkley |
|
|
|
|
A Chantar M'er |
Comtessa de Dia |
Heliotrope |
|
|
|
|
A Chantar M'er |
Comtessa de Dia |
Anne Levitsky |
canso |
domna, senhal, each verse different, female vocalist, free rhythm, narrative, same melody each time, single vocalist, sung, coblas singulars, betrayal, contract, cortesia, fin'amor |
|
|
Der kuninc Rodolp |
Der Unverzagte |
Studio Der Frühen Musik |
|
|
|
|
Trop est mes maris jalos |
Etienne de Meaux |
Studio Der Frühen Musik |
|
|
|
|
Quant Flors (recited) |
Gace Brulé |
Mount Holyoke College |
chanson |
|
|
|
Biaus m'est estez |
Gace Brule |
Studio Der Frühen Musik |
|
trobar ric |
|
|
Quant Flors |
Gace Brulé |
Mount Holyoke College |
chanson |
|
|
|
De moi doleros vos chant |
Gillebert de Berneville |
Studio Der Frühen Musik |
|
|
|
|
Reis glorios |
Giraut de Bornelh |
Anne Levitsky |
alba, canso |
domna, senhal, dialogue, each verse different, female vocalist, free rhythm, same melody each time, single vocalist, sung, coblas doblas, fin'amor |
|
|
Reis Glorios |
Giraut de Bornelh |
TAE |
alba, canso |
domna, senhal, coblas doblas, fin'amor |
|
|
Reis Glorios |
Giraut de Bornelh |
Sandra Hurtado-Ròs |
alba |
|
|
|
Leu chansonet'e vil |
Giraut de Bornelh |
Thomas E. Binkley |
|
|
|
|
Farai un vers |
Guilhelm IX |
Hillier |
canso, devinalh, gap |
free rhythm, harp, lute, male vocalist, narrative, single vocalist, spoken, vielle, vers, joven, riddles |
|
|
Companho Farai Un Vers Pauc Convinen |
Guilhem de Peiteus |
TAE |
devinalh, gap |
domna, senhal, each verse different, hurdy-gurdy, lute, male vocalist, narrative, regular time, same melody each time, single vocalist, sung, coblas unissonans, joven, riddles |
|
|
Pois De Chantar M'es Pres Talens |
Guilhem de Peiteus |
TAE |
planh, sirventes |
drums, each verse different, flute, free rhythm, hurdy-gurdy, lute, male vocalist, narrative, recorders, regular time, same melody each time, single vocalist, sung, tambourine, vers, crusade, politics, war |
|
|
Chanterai por mon craige |
Guiot de Dijon |
Thomas E. Binkley |
chanson de femme |
rotrouenge (refrain), crusade |
|
|
Reis Glorios |
Guiraut de Borneil |
Hillier |
alba, canso |
domna, senhal, dialogue, each verse linked by one theme, free rhythm, harp, lute, male vocalist, same melody each time, single vocalist, sung, vielle, coblas doblas, fin'amor, idealized |
|
|
Per joi que d'amor m'avenga |
Guiraut de Bornelh |
Heliotrope |
|
|
|
|
Pus Sabers |
Guiraut Riquier |
Mount Holyoke College |
|
|
|
|
Estampie |
Guiraut Riquier |
Heliotrope |
|
|
|
|
Ez waent ein narrenwise |
Heinrich von Meissen |
Studio Der Frühen Musik |
|
|
|
|
Retrowange novelle |
Jacques de Cambrai |
Thomas E. Binkley |
chanson |
piety |
|
|
Quan Los Rius De La Fontana |
Jaufre Rudel |
TAE |
canso |
each verse linked by one theme, flute, hurdy-gurdy, lute, male vocalist, narrative, recorders, regular time, same melody each time, single vocalist, spoken, sung, coblas unissonans, amor de lonh, idealized, love, unrequited |
|
|
Quan Lo Rossinhols E-L Folhos |
Jaufre Rudel |
TAE |
|
|
|
|
Lanquan Li Jorn Son Lonc E Mai |
Jaufre Rudel |
TAE |
canso |
domna, each verse linked by one theme, female vocalist, free rhythm, hurdy-gurdy, lute, narrative, recorders, same melody each time, single vocalist, sung, coblas unissonans, amor de lonh |
|
|
Lanquand Li Jorn |
Jaufre Rudel |
Mt Holyoke |
canso |
amor de lonh |
|
|
Lanquan li jorn |
Jaufre Rudel |
Anne Levitsky |
canso |
domna, each verse different, female vocalist, free rhythm, narrative, same melody each time, single vocalist, sung, coblas unissonans, amor de lonh, cortesia, fin'amor |
|
|
No Sap Chantar Qui So No Di |
Jaufre Rudel |
TAE |
|
|
|
|
Bel M'es Quan Son Li Frug Madur |
Marcabru |
TAE |
|
|
|
|
Lo Vers Comensa |
Marcabru |
TAE |
pastorela, sirventes |
|
|
|
L'Autrier Una Sebissa |
Marcabru |
Hillier |
pastorela, sirventes |
dialogue, free rhythm, harp, lute, male vocalist, regular time, same melody each time, single vocalist, sung, vielle, coblas unissonans, cortesia, joven |
|
|
L'autr'ier Jost Una Sebissa |
Marcabru |
TAE |
pastorela, sirventes |
dialogue, each verse different, female vocalist, free rhythm, hand cymbals, hurdy-gurdy, lute, male vocalist, multiple vocalists, same melody each time, sung, tambourine, coblas unissonans, cortesia, joven |
|
|
Estampie Marcabru |
Marcabru |
Heliotrope |
|
|
|
|
L'autre Ier A L'eissida D'abriu |
Marcabru |
TAE |
sirventes |
morality |
|
|
Pax In Nomine Domini |
Marcabru |
TAE |
sirventes |
drums, each verse linked by one theme, female vocalist, hurdy-gurdy, lute, narrative, recorders, regular time, same melody each time, single vocalist, sung, coblas unissonans, crusade, joven, politics, religion, war |
|
|
L'autr'ier jost'una sebissa |
Marcabru |
Anne Levitsky |
pastorela, sirventes |
dialogue, each verse different, female vocalist, regular time, same melody each time, single vocalist, sung, coblas unissonans, cortesia, joven |
|
|
L'autrier Jost'una Sebissa |
Marcabru |
Mt. Holyoke |
pastorela |
cortesia |
|
|
Dirai Vos Senes Doptansa |
Marcabru |
TAE |
sirventes |
each verse linked by one theme, free rhythm, hand cymbals, hurdy-gurdy, male vocalist, narrative, recorders, single vocalist, small changes to the melody, spoken, sung, tambourine, coblas singulars, joven, morality |
|
|
Lo Vers Comens Quan Vei Del Fau |
Marcabru |
TAE |
sirventes |
venal Rome |
|
|
Meienzit |
Neidhart von Reuental |
Studio Der Frühen Musik |
|
|
|
|
Blozen wir den anger ligen sahen |
Neidhart von Reuental |
Studio Der Frühen Musik |
|
|
|
|
Meie,din liehter schin |
Neidhart von Reuental |
Studio Der Frühen Musik |
|
|
|
|
Baron de mon covit |
Peire Vidal |
Thomas E. Binkley |
|
|
|
|
Pos Tornatz Sui |
Peire Vidal |
Hillier |
canso |
domna, fin aman, free rhythm, harp, lute, male vocalist, narrative, single vocalist, sung, vielle, coblas unissonans, cortesia, fin'amor |
|
|
Pos tornatz sui |
Peire Vidal |
Anne Levitsky |
canso |
domna, fin aman, each verse different, female vocalist, free rhythm, narrative, regular time, same melody each time, single vocalist, sung, coblas unissonans, cortesia, fin'amor |
|
|
Pos tornatz sui |
Peire Vidal |
Mount Holyoke College |
canso |
domna, fin aman, male vocalist, narrative, same melody each time, single vocalist, sung, coblas unissonans, cortesia, fin'amor |
|
|
Fürste Friderich |
Pseudo-Neidhart |
Studio Der Frühen Musik |
|
|
|
|
Gaug ai |
Raimbaut d'Aurenga |
Anne Levitsky |
|
each verse linked by one theme, female vocalist, narrative, regular time, same melody each time, single vocalist, sung, coblas alternadas |
|
|
Kalenda maia |
Raimbaut de Vaqeiras |
Thomas E. Binkley |
estampida |
|
|
|
Eissamen ai gerreiat ab amor |
Raimbaut de Vaqueiras |
Mount Holyoke College |
canso |
poor lover/knight, coblas unissonans, poor lover over rich nobleman, alliteration |
|
|
Kalenda Maia |
Raimbaut de Vaqueiras |
Mount Holyoke College |
estampida/razo |
instrumental/dance tune, coblas singulars |
|
|
Aissi Cum Es Genser Pascors |
Raimon De Miraval |
Hillier |
canso |
domna, midons, senhal, each verse linked by one theme, free rhythm, harp, lute, male vocalist, narrative, same melody each time, single vocalist, sung, vielle, coblas unissonans, trobar leu |
|
|
Aissi com es genser pascors |
Raimon de Miraval |
TAE |
|
|
|
|
Aissi Cum Es |
Raimon de Miraval |
Mount Holyoke College |
canso |
domna, midons, senhal, each verse linked by one theme, free rhythm, male vocalist, narrative, same melody each time, single vocalist, sung, coblas unissonans, trobar leu |
|
|
Aisi comes genser pascors |
Raimon de Miraval |
Anne Levitsky |
canso |
domna, midons, senhal, each verse linked by one theme, female vocalist, free rhythm, narrative, same melody each time, single vocalist, sung, coblas unissonans, trobar leu |
|
|
Wol mich des tages do mir alrest ist worden kunt |
Reinmar von Brennenberg |
Studio Der Frühen Musik |
|
|
|
|
Ja Nus Hons Pris |
Richard Coeur-de-Leon |
Alessandra Serrano |
|
|
|
|
Atressi Com L'olifants |
Rigaut de Berbezilh |
TAE |
canso |
domna, senhal, dulcimer, each verse different, female vocalist, free rhythm, hurdy-gurdy, lute, narrative, recorders, regular time, same melody each time, single vocalist, sung, vers, contract, cortesia, fin'amor, idealized, joven, love |
|
|
Atressi Com Lo Leons |
Rigaut de Berbezilh |
TAE |
|
|
|
|
Tuit Demandan Qu'es Devengud' Amors |
Rigaut de Berbezilh |
TAE |
|
|
|
|
Atressi Com Persavaus |
Rigaut de Berbezilh |
TAE |
|
|
|
|
Gaug ai car esper d'amor |
Rimbaut D'Aurenga |
TAE |
|
|
|
|
Calenda Maia |
Rimbaut de Vaqueiras |
Alessandra Serrano |
estampida |
|
|
|
Sire Loëz-Moi |
Thibaut de Champagne |
Mount Holyoke College |
jeu-parti |
|
|
|
Ausi Comne Unicorne |
Thibaut de Champagne |
Mount Holyoke College |
chanson |
|
|
|
Chançon Ferai |
Thibaut de Champagne |
Mt Holyoke |
chanson |
coblas doblas |
|
|
Ausi Comne Unicorne (recited) |
Thibaut de Champagne |
Mount Holyoke College |
chanson |
|
|
|
Deus Est Ensi (MS V,voice & instruments) |
Thibaut de Champagne |
Mount Holyoke College |
sirventois religieux |
|
|
|
Deus Est Ensi (MS K,voice) |
Thibaut de Champagne |
Mount Holyoke College |
sirventois religieux |
|
|
|
Chançon Ferai (recited) |
Thibaut de Champagne |
Mount Holyoke College |
chanson |
coblas doblas |
|
|
Sire Loëz-Moi (recited) |
Thibaut de Champagne |
Mount Holyoke College |
jeu-parti |
|
|
|
Nu alrest lebe ich mir werde |
Walther Von Der Vogelweide |
Studio Der Frühen Musik |
|
|
|
|
Unter der linden an der heide |
Walther Von Der Vogelweide |
Studio Der Frühen Musik |
|
|
|
|
Mir hat her Gerhart Atze ein pfert |
Walther Von Der Vogelweide |
Studio Der Frühen Musik |
|
|
|
|
Loibere risen |
Wizlaw III von Rugen |
Studio Der Frühen Musik |
|
|
|
|
Ich warne dich,vil junger man,gezarte |
Wizlaw III von Rugen |
Studio Der Frühen Musik |
|
|
|
